Wait...what?!
The 1980s saw Yohji and other Japanese designers descend into Paris, bringing with them strange draping black asymmetric creations, so far removed from the glamourous and often egocentric designs of the time. His early designs were actual inspired from uniforms, specifically those of post war Japan, especially poignant for him, as his mother was a war widow. In terms of his womenswear, he seperated himself from other desginers, in that he focused on the back of all garments and built his way from there. The reason he gave for this was that the back was the most sensual and beautiful part of a woman, the curves of the back gave structure to her whole being, therefore any clothing should accentuate and celebrate this.
Yohji continues his ideas of celebration into his Spring 2009 collection. It is a celebration of all ages and sizes. The runway was oddly occupied with men of around his age, with wonderfully aged looks, looking almost like faded beauty, thereby signalling a hint of sorrow within the celebration. Backstage he said 'the world is becoming worse and worse. My message is, let's be happy.' The hints of red and blue are for Yohji's designs very upbeat, for one is usually confronted with a sea of black and greys at his shows. I find it odd that a man often marginalised as an artistic hero, a conceptual genius, for the upper classes, is also almost an embassador for democratic fashion on the runways.
*EDIT* Thought I'd share some photographs of the Espadrilles I ended up getting!
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